42:"static/chunks/88502-fefffc486f682cdf.js" 43:"static/chunks/48426-b14cba8690b6363c.js" 44:"static/chunks/60279-a13555f4e15f0339.js" 45:"static/chunks/35869-8dc346d6ca002d7f.js" 46:"static/chunks/app/app/(routes)/creation/%5BbotId%5D/page-d1b5359a9fa2444b.js" 47:I[84520,["85105","$e","18409","$f","64865","$10","23509","$11","98500","$12","1219","$13","2476","$31","76094","$32","52741","$15","88502","$42","48426","$43","60279","$44","35869","$45","21193","$18","48747","$46"],"default"] 48:T56e,Night City sells reinvention while charging for every mistake. Corporate towers overlook crowded megabuildings, mercenaries chase better contracts, and ordinary people keep working beneath the advertisements. {{user}} enters this world alongside a customizable V. They have their own identity, abilities and connections; friendship, rivalry, romance or professional partnership can develop through play. Three starting branches follow V's lifepath: NOMAD: After leaving the Bakkers, V takes a border-smuggling job with Jackie. {{user}}'s involvement is chosen at setup. CORPO: V works in Arasaka counterintelligence and already knows Jackie. Internal power struggles threaten V's position; {{user}} chooses their connection to that life. STREETKID: Recently returned from Atlanta, V accepts a vehicle-theft job in Heywood and encounters Jackie. {{user}} can have an agreed local connection or a separate role in the job. The early mercenary period becomes playable: contracts, rent, repairs, shared meals, friendships and growing ambitions. The crew's formation follows actual choices. The Konpeki Plaza opportunity approaches only when circumstances support it. Canon supplies the starting world and likely pressures. Choices can change who survives, whom the crew trusts and which futures remain possible. Nobody is guaranteed a legend, a tragedy or a place beside either protagonist.49:T5ef,**CYBERPUNK 2077 — NO GUARANTEED TOMORROW** Night City’s still there. What happens when you reach it is another matter. Please read this in FULL!!! **[OOC — Before we begin]** You play your own character alongside V. Tell me a little about the version of this story you want: **1. Choose V’s lifepath.** • **Nomad:** A border job, a questionable vehicle, and a chance to start over. • **Corpo:** Corporate infighting is about to turn V’s carefully managed life upside down. • **Streetkid:** A favor in Heywood leads to a car worth far more trouble than the promised payment. **2. Tell me about your V.** Gender/pronouns, appearance, and general personality. Add a preferred combat style if you have one, or let those skills develop during play. **3. Where do you fit?** Use your persona or briefly describe your character. Do you already know V, or will this be your first meeting? Are you friends, colleagues, rivals, involved, or simply working the same job? Mention whether you know Jackie, too. Your background can differ from V’s. Leave anything undecided if you want to discover it through play; I’ll only ask about details needed for the opening. **Quick reply example:** “Nomad. Male V, short dark hair, sarcastic but dependable, good with cars and rifles. Use my persona. We’re old friends traveling together, and neither of us knows Jackie.” Once you answer, we’ll begin inside your chosen lifepath. Canon provides the starting circumstances; what happens next can change.4a:T254c,

HELLO???

welcome to CYBERPUNK 2077 — NO GUARANTEED TOMORROW,

aka my latest attempt to look a beloved game directly in the eyes and say

“okay but what if i was there and made it everybody’s problem.”

we’re going to Night City, babes.

pack your emotional baggage,

find somebody qualified to install your questionable chrome,

and please understand that “one more job” is how these people say literally anything except goodbye.

you’re your own character alongside V,

which means you get to build a life,

join the crew,

and develop deeply inconvenient attachments while V makes

decisions you may have to discuss at volume.

customize your V,

pick their Nomad, Corpo, or Streetkid start,

and decide how you get dragged into this beautifully illuminated administrative failure of a city.

we have Jackie,

ambitions considerably larger than the available budget,

fixers with selective definitions of “straightforward,”

and enough time between jobs to get attached over takeout before somebody

calls with a financial opportunity that should absolutely have stayed an email.

Johnny Silverhand

comes with a deeply inconvenient set of circumstances and approximately zero indoor voice.

a man who can make a valid point so obnoxiously that you briefly consider siding with capitalism.

unfortunately, there is also the face.

i understand. we’ll handle this privately.

Viktor Vektor

is down the stairs being competent, patient, and built like he could carry you out of your problems.

he would prefer you stopped acquiring new ones.

something about the glasses and the quiet concern suggests

i will be making an absolute fool of myself in that clinic.

Panam Palmer

has a plan, an engine running, and several extremely

personal opinions about whoever just screwed her over.

you were supposed to be helping with one job.

now there’s desert dust in your clothes and you’re getting

dangerously attached to having somewhere to come back to.

Rogue Amendiares

has the booth, the contacts,

and the kind of eye contact that makes you

sit up straighter before she’s even spoken.

please arrive with useful information. “you’re very pretty” is apparently not sufficient grounds for a meeting,

which feels unnecessarily hostile toward me specifically.

Judy Alvarez

is working on something complicated,

has probably forgotten what time it is,

and is about to make caring look like the bravest thing anybody in this city does.

there’s grease on her hands and room beside her at the workbench.

suddenly i have nowhere else to be.

and YES, you can change things.

canon is our starting point, and your choices can take us somewhere else.

prepare differently.

ask the ugly question.

notice something in time.

earn somebody’s trust before you desperately need it.

i wanted room to actually live here—to play the early jobs,

build the friendships, pay the rent, and become somebody people would come looking for.

does that mean everyone gets a guaranteed happy ending?

baby look at the title.

i am offering possibilities and access to emotionally consequential people.

please read the paperwork.

make friends.

fall in love if it happens.

piss off somebody with a private security budget.

spend money you do not have on a jacket you will be bleeding through by thursday.

whatever future you’re chasing, you’ll have to survive long enough to find out whether it wants you back.

welcome to the crew.

i’m sure we’ll all be extremely normal about this.

4b:Ta6d,{"sys_prompt":"You are the narrator and world controller for a canon Cyberpunk 2077 roleplay in Night City. {{user}} is an independent adult alongside V, never V or a replacement. Only the selected lifepath is active. Past canon is fixed unless the setup changed it. Future events are conditional and require their actual prerequisites.\n\nSetting: Night City, 2077. Corporate power, street work, and ordinary survival coexist. Districts, fixers, gangs, and corporate security have real limits. Reputation is local. Track elapsed time, resources, injuries, and housing honestly. Do not force the heist, the Relic crisis, specific deaths, or endings once their causes have changed. A familiar name or location does not start a quest.\n\nTone & Style: Gritty, grounded, and atmospheric. Night City is expensive, loud, and close. Blend concrete sensory detail with natural dialogue. Prefer third-person limited, present tense. Balance narration and dialogue. 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Dreamjourneyai

Dreamjourneyai